Friday, October 12, 2018
Hardcore For The Losers show :
Chaviré from Nantes, probably one of the best and most active bands from the French speaking area in the last 10 years, with a strong diy, punk and political background & mssg.
Small Hours is a punk/hardcore three-piece from Vienna founded in spring 2013 after playing together in different groups for almost ten years. They draw inspiration from several 80’s diy-punk acts as well as contemporary genre-stretchers such as Self Defense Family, Comadre or Touché Amoré.
“reconstruction” is not only a metaphor for dealing with constant difficulties in life, (mental) health or politics, it's also a statement against racism, sexism, homophobia, sexual harassment, violence or any other forms of discrimination!
The Shaftons Viennese Against Me! recorded their first EP last year @ Zock from Astpai.
Thursday, October 4, 2018
"young five piece hardcore punk band from Göttingen, Germany. After their impressive debut EP release in 2016, the band is back with their upcoming follow up four track EP entitled, 'Hollow Idol' which will be out on the 12th of October.
The EP was recorded and mixed by Dominik Dewitz (Farson, Girlfriend) of Distorted / Liquified and later mastered by Will Killingsworth (Orchid, Ampere, No Faith) of Dead Air Studios. 'Hollow Idol' will also see a two colour tape variant release via Hardcore For The Losers, a DIY label from Austria.
I'm proud to premiere the debut single and opening track on the new EP entitled, 'Monochrome'. Clocking in at just under two minutes, the track kicks off with pummeling double bass and mid paced rock 'n roll infused riffage. The band then veers into melodic hardcore territory with passionate screams, punchy drums and a building driving guitar section. This all eventually climaxes and closes the track out with one final blow. Swoon show excellent usage of dynamic song writing here and this is the perfect introductory statement of things to come on 'Hollow Idol'.
Enjoy the track and be sure to share it around with all of your friends." by Tarquin
FFO: Glasses.| Up River| Code Orange Kids
Hardcore For The Losers last minute show :
Prescriptiondeath (Powerviolence/ Hardcore Punk - Sweden)
The Prim (Fastcore/90´s Metalcore - Germany)
Monday, October 1, 2018
For fans of: envy Official, Amia Venera Landscape, Eden, Maine, Devil Sold His Soul, Breach , Birds in row, Respire and Suis la lune
Review by Francis Maria Regalado
YOUNG MOUNTAIN are a Swedish hardcore and post-rock band that appear to have been active since at least 2013. In the releases leading up to their debut full-length, 'Lost Tree', we find traces of a band that’s relatively certain of how they want to sound. The perspective that frames their recorded work appears to fall squarely within the more melodic end of the European hardcore and screamo oeuvre, but with accents heavily gleaned from a more post-metal, post-rock, or post-black (arguably blackgaze) vocabulary. The band’s earlier work skews towards a slightly more metalcore direction, but only as far as bands like Eden Maine or Devil Sold His Soul tend to go. Their material on 2013’s 'För Alltid Var Bara Något Vi Sa', and 2014’s 'Fragile' bats particularly close to that style, maybe just a bit shy of something like Buried Inside’s 2001 record, 'Suspect Symmetry'. YOUNG MOUNTAIN’s subsequent records, 2014’s 'We’re Drowning in Slowmotion' and 2016’s 'The Garden of Biological Machines', seem to indicate a more internalized grasp of their sound. These records didn’t just sound better because of the change in production style—the elements they chose to incorporate into their songs at this point were considerably more concise, and dare I say, confident. The band appeared to shed their metalcore inclinations in favor of denser songwriting that occasionally mirrors Breach’s sense of gravity on 2001’s 'Kollapse', tempering that heaviness with the same melodicism they’ve always shown, with a bit of later Birds In Row thrown into the mix.
Anything but vacant: a track by track review.
Their debut full length, 2018’s 'Lost Tree' has proven to be a logical progression of the band’s stylistic vision—displaying focused songwriting, and a clearer sense of purpose. The record opens with "Asunder, To Eye Each Other", a massive introductory piece that begins with an ominous Breach- like quiet section. From there, the band kicks into a pummeling melodic breakdown from which the rest of the song ebbs and flows. The post-metal inclinations are made especially clear here, and the subtle dissonance is an especially nice touch.
From the sheer weight of the opening track, the band decides to throw us a curve ball with "The Sun Is Away"—a surprisingly competent take on Run For Cover Records’ particular brand of indie rock, with just the right amount of Sore Eyelids to keep things grounded in YOUNG MOUNTAIN’s style.
If you were expecting the third track to turn things down a notch, "///////////////" begins and ends with midtempo hardcore sections not unlike Birds In Row’s later material—still on the melodic side, but with strong Euro-style rhythms pounding underneath.
By the time "Misery" slinks its way in, you may have established that a major sonic theme in this record is capture and release—at least between tracks. This particular song comes off like a Suis La Lune jam if the now-defunct emo veterans decided to play slowcore instead.
The record’s second half kicks in with "Juni", another slow burn which almost plays off like a companion piece to the track prior. Things are a bit more up front here, with a more engaging introduction that leads into a number of the band’s well-established peaks and valleys.
If I remember correctly, "Vacant Eyes" was the band’s first single off this record. It’s arguably one of the more unique tracks on here considering the sudden turn towards a blasting post-black assault that’s nailed down by Kami’s especially vicious vocal performance. In a way, this almost comes off like something Respire would’ve written for 'Dénouement', but remains faithful to the YOUNG MOUNTAIN aesthetic.
Things slow down again for the album’s title track, "Lost Tree". It’s another build-up piece like "Misery", but quite a bit moodier with the way it goes from sparkly, restrained post-rock to its swelling conclusion. As much as I’d like the title track to be an album’s figurative thesis statement, this comes off like a tasteful set-up for the final track.
The album closer, "I Flew Over Your House Last Night" picks up where "Lost Tree" left off, and bookends the record with a pad and string intro reminiscent of *Shels’ work on 'Plains of the Purple Buffalo'. The added instrumentation makes for a hauntingly apt conclusion to the release. It’s one of the more fulfilling spots on 'Lost Tree', an experience akin to watching every single song on the record get sucked into this one final piece—leaving only the listener and absolute quiet in the album’s wake.
Let’s not mince words here, YOUNG MOUNTAIN might not be the place to start if you’re looking for artists that constantly break new stylistic ground. I would however argue, that given the amount of focus and dedication they put into the style, that sonic exploration isn’t the band’s intent. You’d be missing the point if you expected otherwise. In light of their discography, one could make the case for YOUNG MOUNTAIN being people who live in the moment—driven by expression, and a desire to hone their craft. While I do honestly feel that the record has its own share of missed opportunities, it does hit more than it misses. And when it does hit, it hits especially hard. This is the kind of record (and by extension, band) you lose yourself in, and I could only imagine what a live set from a band this focused on mood and dynamics would be like. For a YOUNG MOUNTAIN, their debut full-length sounds satisfyingly mature.
1st edition pressed by DMS LTD (Network Engineer) Plymouth in England.
- 200x, gatefold, black vinyl
- 150x, gatefold, transparant gold vinyl
- 150x, gatefold, transparant magenta vinyl
Through Love Rec - Europe - TLR047
co/ released with:
Zegema Beach Records - Canada - ZBR117
Miss The Stars - Germany - MTS046
Pundonor Records- Spain - PUN21
Hardcore For The Losers - Austria - HC4L048
Dasein Records - Danmark - DAS013
Lyrics by: Kami Kalantari
Music by: Young Mountain
Featuring Nicole Boychuk on "I Flew Above Your House Last Night"
Mix and master by Jack Shirley at the Atomic Garden.
Recorded by Karl Robb Kaardal at Pathfinder Productions.
Released on the 5th september, 2018.
Pay as you wish!
Friday, September 7, 2018
WALL BREAKER (a new straight edge hardcore punk band from New Jersey, USA with members from Coke Bust, WarXGames, Bloodtype, Glory Fades and Chainsaw To The Face. Heavily influenced by bands like SSD and Life's Blood, but played with the speed of some of the early 00's era thrash bands like Tear It Up and WHN. This is Trump era hardcore. Released on cassette by Bleeding Edges Label and Absolute Contempt Records. Their brand new "Democracy Dies" 12" on Refuse Records will be available on tour)
Pasty Clan (Hardcore/Punk from Linz are back at it with their fifth release and first album in „Wir Ihr Sie“ (released on Hardcore For The Losers, HC4L028 Pasty Clan - Wir Ihr Sie LP 12".) Though the band may appear to (and do) have an attitude of fun with the presentation of the release (there is something of The Melvins in the self depreciation and tongue in cheek nods to the genre on the album cover) this is a ruse, these songs despite their simplicity of presentation are meticulous in the care that has been put into their construction.
Enuff Talk (old school thrashy hardcore / punk.from Vienna)
Sunday, August 5, 2018
ABUSE OF POWER (Atlanta, USA) X Advanced Perspective, Triple B Records
Straight Edge HC hearken back to the sounds of the early-'90s,
bringing to mind bands like Outspoken, Resurrection and Chain Of Strength.
INSIST (Manchester Straight Edge) X React! Records, POWERED RECORDS
Aggressive and passionate classic straight edge hardcore played with untouchable style.
Unable To Fully Embrace This Happiness aka XECHELONSX
(Klagenfurt Straight Edge)
Masaya Cult 2nd show from a new Viennese Hardcore outfit.
Friday, August 3, 2018
Split 12" with screenprinted b-side, edition of 300.
co .- released w/
time as a color
Dingleberry records and distribution
Pay as you wish!